Acrylic paint canvas board5/27/2023 If you are looking to frame your finished work, then a canvas board can be easier to frame than traditional canvas. Taking up less room, and less easily damaged than stretched canvas, ours are made with a substantial backing board and high quality cloth, making them superior to coated sketching boards. ![]() Canvas boardĬanvas boards were first introduced to help artists work outdoors (en plein air), but they’re usable indoors, too. Acrylics will produce strong, bright colours on raw cotton canvas, meaning there is no need to size or prime the canvas before you start working. ![]() Stretched cotton canvas is the surface used most often by professional artists, for its cloth weave and spring. When you use acrylics you can paint straight onto canvas, as they will not sink into the material like oils. ![]() Winsor & Newton Acrylic Pads are embossed is embossed to provide a canvas-like texture in a transportable form, in addition to being acid-free to maintain acrylic colour brilliance over time. You can apply acrylics straight onto the surface of the paper, and, because it’s portable, it’s ideal for artists who work both in a studio setting and on the go. Acrylic paperĪcrylic painters enjoy using paper tailored for acrylic colour because of its texture, affordability and convenience of use. Read on for a simple guide to five types of acrylic surfaces that can lend your art a decidedly different look and feel, and open up new creative possibilities. Whether you opt for traditional canvas or a non-traditional surface such as degreased leather, it’s worth familiarising yourself with the nature of various surfaces before you start painting. It's great for acrylics and a whole range of media except for oil paints.Looking for an easy way to introduce variety to your acrylic painting practice? Acrylic artists have a wide variety of options when it comes to choosing a surface for work, ranging from the expected to the unconventional. The advantages are that it's very durable and strong, which means it won't tear, buckle or wrinkle, so you don't have to worry about stretching it beforehand. It's slick and non-absorbant and fun to experiment with. I've played around with Yupo and it has a weird surface that certainly doesn't feel like paper. After painting on the top sheet you can slice it from the pile and start working on the blank sheet underneath.įinally, you can try Yupo Watercolor Paper which is synthetic paper made from polypropylene. Watercolor blocks are thick sheets of paper stuck together by glue which has been applied around the edges. A convenient way around this is to buy watercolor paper blocks or panels. You can paint on watercolor paper with or without an acrylic gesso, but if you're using diluted acrylics to create watercolor effects you need to stretch the paper first to prevent wrinkling. You can also buy spiral-bound pads which are great for using outdoors but usually contain students' quality paper. Some manufacturers offer their paper in large rolls, which can save you money. Watercolor paper is typically bought in separate sheets. Use artists' grade if you care about quality and permanence, but save some money with students' grade if you're a beginner or just practicing. There are two main grades of watercolor paper: artists' and students' grade. You can also use acrylics on watercolor paper which comes in a range of grades, sizes, and textures.įor more information see my Watercolor Paper page. You can prevent this by using wood battening across the back and by priming the front, back and edges of the board. The only negatives are that large panels can bend and possibly warp over time. If you can't afford canvas but want something that'll last a while, give masonite a try. You can also purchase pre-primed masonite in a range of colors. You don't need primer, but most artists apply an acrylic gesso before painting. The front surface of masonite is smooth and the back is rough and textured.You can paint on the back, but most prefer to use the front which should be sanded beforehand to give the surface some tooth (unless you buy it ready-primed). For this reason you should use untempered masonite with acrylics which is softer and slightly more absorbent. This gives it a harder, sealed surface but makes it unsuitable for acrylics which won't mix with oil. The tempering process involves flooding the board with linseed oil after it comes out of the hot press. ![]() Masonite comes in tempered or untempered form.
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